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MOZART:  Horn Concerto No. 4 in E-Flat (K 495), 3rd Mvt., Barry Tuckwell, horn/Academy of St. Martin's in the Field/Marriner, EMI PM 517
from Program Number 5:  “French Horn/When to Stand, When to Move”

J. S. BACH:  The Musical Offering (BWV 1079), Sonata for Flute, Violin and Continuo, 4th Mvt., The Academy of St. Martin-in-the-Fields/Marriner, Philips 412 800 2
from Program Number 10:  “Trio”

MOZART:  From “Le Nozze di Figaro,” “La vendetta, oh, la vendetta”, Robert Lloyd/Academy of St. Martin-in-the-Fields/Marriner, Philps 416 370 2
from Program Number 14:  “Patter/Melismatic”

VIVALDI:  From Concerto for Two Trumpets, Opus 46, No. 1 (R 537), 1st Mvt., Maurice Andre, trumpet/Bernard Soustrot, trumpet/Academy of St. Martin-in-the-Fields/Marriner, EMI CMS 7691522
from Program Number 19:  “Parallel #2”

RESPIGHI:  “The Birds,” “The Hen”, Academy of St. Martin-in-the-Fields/Marriner, Philips 420 485 2
from Program Number 33:  “A Musical Aviary”

MOZART:  From “Le Nozze di Figaro,” “Non piu andrai”, Jose van Dam/Academy of St. Martin-in-the-Fields/Marriner, Philips 416 370 2
from Program Number 35:  “And I Quote …”

MOZART:  From “Don Giovanni,” Finale, Thomas Allen/Simone Alaimo/ Academy of St. Martin-in-the-Fields/Marriner, Philips 432 129 2
from Program Number 35:  “And I Quote …”

MOZART:  Symphony No. 1, 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 41:  “Growing Up Binary”

MOZART:  From “Le Nozze di Figaro,” Overture, Academy ot St. Martin-in-the-Fields/Marriner, Philips 416 370 2
from Program Number 43:  “Humor Me”

J. S. BACH:  “The Musical Offering,” Canon a 2 quaerendo invenietis, Academy of St. Martin-in-the-Fields/Marriner, Philips 412 800 2
from Program Number 49:  “Imitation Is the Sincerest Form”

J. S. BACH:  From “The Musical Offering,” Canon 1 a 2, Academy of St. Martin-in-the-Fields/Marriner, Philips 412 800 2
from Program Number 49:  “Imitation Is the Sincerest Form”

J. S. BACH:  From Brandenburg Concerto No. 6, Academy of St. Martin-in-the-Fields/Marriner, Philips 400 077 2
from Program Number 49:  “Imitation Is the Sincerest Form”

MOZART:  From Symphony No. 35 in D, “Haffner” (K 385), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 996 2
from Program Number 65:  “License or Larceny?”

MOZART:  From Symphony No. 36 in C, “Linz” (K 425), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 996 2
from Program Number 65:  “License or Larceny?”

MOZART:  From Symphony No. 40 in G minor, (K 550), 4th Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 995 2
from Program Number 65:  “License or Larceny?”

MOZART:  Symphony No. 34 in C (K 338), 1st Mvt., Academy of St. Martin-in the-Fields/Marriner, Philips 412 996 2
from Program Number 70:  “Au Contraire, Mon Frčre!”

MOZART:  Contredanse in F (KV 33B), Academy of St. Martin-in-the-Fields/Marriner, Philips 422 545 2
from Program Number 87:  “First Things First”

MOZART:  Symphony No. 1 in E Flat (KV 16), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 87:  “First Things First”

MOZART:  From Symphony No. 1 in E Flat (KV 16), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 87:  “First Things First”

MOZART:  From Seranade for Winds (K 361), 3rd Mvt., Academy of St. Martin-in-the-Fields/Marriner, “Amadeus”/Original Soundtrack Recording, Fantasy FCD 900 1791 2
from Program Number 87:  “First Things First”

MOZART:  Symphony No. 1 in E Flat (KV 16), 2nd Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 87:  “First Things First”

MOZART:  Symphony No. 1 in E Flat (KV 16), 3rd Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 87:  “First Things First”

MOZART:  From Symphony No. 22 in C (K 162), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 954 2
from Program Number 91:  “You Can’t Pin That On Me!”

MOZART:  From Symphony No. 22 in C (K 162), 3rd Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 954 2
from Program Number 91:  “You Can’t Pin That On Me!”

MOZART:  From Symphony No. 30 in D (K 202), 4th Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 954 2
from Program Number 91:  “You Can’t Pin That On Me!”

MOZART:  From Symphony No. 34 in C (K 338), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 954 2
from Program Number 91:  “You Can’t Pin That On Me!”

MOZART:  From Symphony No. 41 in C (K 551), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 412 954 2
from Program Number 91:  “You Can’t Pin That On Me!”

MOZART:  From Symphony No. 10 in G (KV 74), 1st Mvt., Academy of St. Martin-in-the-Fields/Marriner, Philips 416 471 2
from Program Number 93:  “Transitory Pleasures”

MOZART:  “Eine kleine Nachtmusik,” 4th Mvt., Academy of St. Martin in the Fields/Marriner, Philips 422 619 2
from Program Number 103:  “Background Information”

MOZART:  From Symphony No. 41 in C (K 551), Academy of Ancient Music/Marriner, Philips 412 996 2
from Program Number 117:  “Gin & Pentatonic”

45 selections found. Displaying selections 1 to 30.
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Type in Sortileges to find all the excerpts from L’Enfant et les Sortileges.

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Find out if there are any tracks from that Earl Taylor record that you missed.

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Search for everything played from the album Songs Our Daddy Taught Us.

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See if Mr. Schickele played any records on the Parlophone label other than The Beatles.

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Find the show were Geographical Fugue was played as a tidbit.




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